#WAVES MULTIRACK NATIVE AUDIOSEX HOW TO#

Thanks due itвЂ™s EQ itвЂ™s very easy to know how to effect the sound. Also C1 can be used as a compressor or expander or gate expander. What I like about the C1 is how it doesnвЂ™t colorize the sound nor give too much artifacts in the sound. It can work as an ordinary compressor or as sidechain. I would love to give the UAD goods a spin but can't afford the required Audio Card needed to TRY it out - The idea that Ampex, Studer, Neve, Lexicon, EMT and others have given them the endorsement of 'Name Rights' is intriguing (I love the realistic GUI as well), makes me want to check it out even ore - perhaps one day (when I have the money to burn - if such a day comes).Д®ven if I donвЂ™t generally use wavesвЂ™ plug-ins it happens that I get project sent to me require me to use them, so eventually I had to learn them and well since the principles are the same for any effect or dynamic, this is a bit how it works for me.ДЄs far as it comes to compressors I found out that C1 Parametric Compander is a very nice dynamic compressor with lots of flexibilities. SPL has some great plugIns, PSP has some, Softube, Fabfilter ProL is amazing, (bits and bobs here and there) and the list goes on. There are thousands of great plugIns out there (Waves and others) that can get the job done beautifully. I use the Eddie Kramer stuff because I am trying to reproduce a certain analog warmth in my production (those certain subtle imperfections, nuances and character). Over hyped or not, the folks at waves got a few things right - they employed the use of established sound engineers in the development of their plugIns, and payed close attention to sonic detail (subtlety). In the end, these plugIns are just tools - you still have to put in work to make things sound right. In reality, It's all a matter of taste and entirely dependent on YOUR EAR.

Waves multirack native audiosex